Mark Haddon

Mark Haddon on Leaving Home

'I loved Leaving Home. It made me honk with laughter at times, and feel incredibly moved at others. I found it tender, addictive, informative and unlike anything else - and brilliantly illustrated.' * Rachel Joyce *

Simultaneously heart-breaking and hilarious, Leaving Home is a portrait of the artist both as a child and as an adult. His parents were not really cut out for the job of having children. They were cut out, respectively, for the jobs of designing abattoirs and keeping a pathologically clean and tidy house. At least he had the consolations of The Weetabix Solar System Wallchart, walnut whips and the occasional Babycham.

Astringently honest and scalpel sharp, this is a book about being different and seeing the world differently. It's about being a cartoonist and a care assistant. It's about family. It's about knickerbocker glories and heart surgery, about papier mache and mental breakdown and great white sharks. It's about how art, in all its varied forms, provides a way of understanding and coming to terms with the mess of human life.

It's richly illustrated throughout with images from the author's childhood, some of them altered in unforgiveable ways.

As bracing as it is embracing, Leaving Home is about escaping a place that never felt like home and learning to create somewhere that does.

Mark Haddon is a writer and artist. His bestselling novel, The Curious Incident of the Dog in the Night-Time (2003) won seventeen literary prizes, was translated into forty-five languages, and went on to become an award-winning stage adaptation by Simon Stephens. His most recent works of fiction include a novel, The Porpoise (2019), and a collection of fables and stories, Dogs and Monsters (2024).