Laura Cumming

Laura Cumming on Thunderclap

This summer we are thrilled to welcome On Chapel Sands author and Observer chief art critic Laura Cumming!

On the morning of 12 October 1654, in the Dutch city of Delft, a sudden explosion was followed by a thunderclap that could be heard more than seventy miles away. Carel Fabritius - now known across the world for his exquisite painting, The Goldfinch - had been at work in his studio. He, along with many others, would not survive the day.

In Thunderclap, Laura Cumming reveals her passion for the art of the Dutch Golden Age and her determination to lift up the reputation of Fabritius. She also explores the Netherlands, where - wandering the narrow streets of Amsterdam, driving across the flatlands, or pausing at a quiet waterfront - she encounters the rich reality behind the shining beauty of Vermeer and Rembrandt, Hals and de Hooch. She shares too her relationship with her father, the Scottish artist James Cumming, who had his own deep connection to Dutch painting, and who taught her about colour, light and the rewards of looking deeply.

This is a book about what a picture may come to mean: how it can enter your life and change your thinking in a thunderclap, a sudden clarity of sight. This is also a book about the precariousness of human life - the way it may be snatched from us in an instant. What can art do to sustain us? The work that survives tells its own compelling story in these pages.

Laura Cumming has been chief art critic of the Observer since 1999. Her books include A Face to the World: On Self-Portraits (2009) and The Vanishing Man: In Pursuit of Velazquez (2016) which won the James Tait Black Biography Prize. Her family memoir, On Chapel Sands: my Mother and other Missing Persons (2019) was a Sunday Times bestseller and shortlisted for the Baillie Gifford, Costa and Rathbone's Folio prizes.